Oil On Canvas, Real Flavor of Old Masters

All Palma Vecchio 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
31362  
A Blonde Woman, Palma Vecchio
 
 A Blonde Woman   nn07 Oil on wood, 77,5 x 64,1 cm National Gallery, London
1094  
Diana and Callisto, Palma Vecchio
 
 Diana and Callisto   1525 Art History Museum, Vienna
33484  
Diana discovers Callisto's Misdemeanour, Palma Vecchio
 
 Diana discovers Callisto's Misdemeanour   mk86 c.1525 Oil on canvas on wood 77.5x124cm Vienna,Kunsthistorisches Museum
21319  
Diana discovers Callisto's Misdemeanour (mk08), Palma Vecchio
 
 Diana discovers Callisto's Misdemeanour (mk08)   c.1525 Oil on canvas on wood, 77.5x124cm Vienna,Kunsthistorisches Museum
8431  
Jacob and Rachel ag, Palma Vecchio
 
 Jacob and Rachel ag   1515-25 Oil on canvas, 146,5 x 250,5 cm Gemäldegalerie, Dresden
8434  
Judith ag, Palma Vecchio
 
 Judith ag   Oil on canvas, 90 x 71 cm Galleria degli Uffizi, Florence
28972  
Judith with the Head of Holofernes, Palma Vecchio
 
 Judith with the Head of Holofernes   mk65 Panel 35 7/16x27 15/16in Uffizi
29149  
Madonna and Child with Commissioners, Palma Vecchio
 
 Madonna and Child with Commissioners   mk65 Oil on canvas transferred from panel 47x68"
41213  
Paola Priuli and Francesco Querini, Palma Vecchio
 
 Paola Priuli and Francesco Querini   mk157 1528 Oil on wood 82x73.5cm
29287  
Portrait of a Man, Palma Vecchio
 
 Portrait of a Man   mk65 Oil on canvas 37x28"
43374  
Portrait of a Poet, Palma Vecchio
 
 Portrait of a Poet   mk170 1515-1520 Oil on canvas 83.8x63.5cm
1096  
Portrait of a Woman, Palma Vecchio
 
 Portrait of a Woman  
43049  
Portrait of a young bride as flora, Palma Vecchio
 
 Portrait of a young bride as flora   mk170 circa 1520 Oil on wood 80x64cm
43373  
Portrait of a Young bride as Flora, Palma Vecchio
 
 Portrait of a Young bride as Flora   mk170 circa 1520 Oil on wood 80x64cm
8438  
Portrait of a Young Man af, Palma Vecchio
 
 Portrait of a Young Man af   Oil on panel, 38,7 x 29 cm Museum of Fine Arts, Budapest
8439  
Portrait of a Young Woman ag, Palma Vecchio
 
 Portrait of a Young Woman ag   Oil on panel, 38,8 x 28,5 cm Museum of Fine Arts, Budapest
32436  
Sacred Conversation, Palma Vecchio
 
 Sacred Conversation   c. 1525 Oil on canvas, 127 x 195 cm
20225  
The Adoration of the Shepherds with a Donor (mk05), Palma Vecchio
 
 The Adoration of the Shepherds with a Donor (mk05)   Canvas,55 x 82 1/2''(140 x 210 cm).Acquired by Louis XIV in 1685
40321  
The Holy Family with Mary Magdalene and the Infant Saint John, Palma Vecchio
 
 The Holy Family with Mary Magdalene and the Infant Saint John   mk156 c.1520 Oil on wood 87x117cm
29888  
The Raising of Lazarus, Palma Vecchio
 
 The Raising of Lazarus   mk67 Panel 37x43 5/16in Uffizi,Gallery
8430  
The Three Sisters (detail) dh, Palma Vecchio
 
 The Three Sisters (detail) dh   about 1520 Oil on wood, 88 x 123 cm (full painting) Gemäldegalerie, Dresden
38734  
Young Faunus Playing the Syrinx, Palma Vecchio
 
 Young Faunus Playing the Syrinx   mk141 ca.1513/15 Oil on poplar 19.6x16.4cm
74290  
Young Woman in Profile, Palma Vecchio
 
 Young Woman in Profile   Date Deutsch: um 1512/1514 Medium Deutsch: Pappelholz Dimensions Deutsch: 49 x 42,4 cm cyf

Palma Vecchio
1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE



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